| Kanishka I | |
|---|---|
| Kushan king | |
Gold coin of Kanishka I (late issue, c. 150 AD). Kanishka standing, clad in heavy Kushan coat and long boots, flames emanating from shoulders, holding standard in his left hand, and making a sacrifice over an altar. Bactrian legend in Greek script (with the addition of the Kushan Ϸ "sh" letter): ϷΑΟΝΑΝΟϷΑΟ ΚΑΝΗϷΚΙ ΚΟϷΑΝΟ ("Shaonanoshao Kanishki Koshano"): "King of Kings, Kanishka the Kushan". British Museum. |
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| Reign | Kushan: 227–151 CE |
| Coronation | Chinese records of Yueh-chi show coronation as 78 AD |
| Full name | Kanishka (I) |
| Titles | King of Kings, the Great Saviour, the Son of God, the Shah, the Kushan |
| Died | Circa 127 AD |
| Predecessor | Vima Kadphises |
| Successor | Huvishka |
| Religious beliefs | Buddhism |
Kanishka (Kanishka the Great), (Sanskrit: कनिष्क, Bactrian language: Κανηϸκι, Middle Chinese: 迦腻色伽 (Jianisejia)) was an emperor of the Kushan Empire, ruling an empire extending from Bactria to large parts of northern India in the 2nd century of the common era, and famous for his military, political, and spiritual achievements. His main capital was at Purushpura (Peshawar in present day northwestern Pakistan) with regional capitals at the location of the modern city of Taxila in Pakistan, Begram in Afghanistan and Mathura in India.
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Kanishka was a Kushan of probable Yuezhi ethnicity. He used an Eastern Iranian, Indo-European language known as Bactrian (called "αρια," i. e. "Aryan" in the Rabatak inscription), which appears in Greek script in his inscriptions, though it is not certain what language the Kushans originally spoke; possibly some form of Tocharian - a "centum" Indo-European language. The "Aryan" language of the inscription was a "satem" Middle Iranian language,[1] possibly the one spoken in "Arya" or "Ariana" (the region around modern Herat) and was, therefore, quite possibly unrelated to the original language of the Kushans (or the Yuezhi), but adopted by them to facilitate communication with local people.
Kanishka was the successor of Vima Kadphises, as demonstrated by an impressive genealogy of the Kushan kings, known as the Rabatak inscription.[2][3] The connection of Kanishka with other Kushan rulers is described in the Rabatak inscription as Kanishka makes the list of the kings who ruled up to his time: Kujula Kadphises as his great-grandfather, Vima Taktu as his grandfather, Vima Kadphises as his father, and himself Kanishka:
"... for King Kujula Kadphises (his) great grandfather, and for King Vima Taktu (his) grandfather, and for King Vima Kadphises (his) father, and *also for himself, King Kanishka"[4]
A number of legends about Kanishka, a great patron of Buddhism, were preserved in Buddhist religious traditions. Along with the Indian kings Ashoka and Harshavardhana, and the Indo-Greek king Menander I (Milinda), he is considered by Buddhists to have been one of the greatest Buddhist kings.
Kanishka's era was used as a calendar reference by the Kushans and later by the Guptas in Mathura for about three centuries. Kanishka's era is now by many believed to have begun in 127 CE on the basis of Harry Falk's ground-breaking research.[5][6] The actual source, however, gives 227 CE as Year One of a Kuṣâṇa century without mentioning Kanishka's name. Since Kuṣâṇa centuries always "drop the hundreds" an incept of 127 CE was deduced by Falk on the basis of Chinese and other sources. This date and reference are disputed by some scholars.
Kanishka's empire was certainly vast. It extended from southern Uzbekistan and Tajikistan, north of the Amu Darya (Oxus) in the north west to Northern India, as far as Mathura in the south east (the Rabatak inscription even claims he held Pataliputra and Sri Champa), and his territory also included Kashmir, where there was a town Kanishkapur, named after him not far from the Baramula Pass and which still contains the base of a large stupa.
Knowledge of his hold over Central Asia is less well established. The Book of the Later Han, Hou Hanshu, states that general Ban Chao fought battles near Khotan with a Kushan army of 70,000 men led by an otherwise unknown Kushan viceroy named Xie (Chinese: 謝) in 90 CE. Though Ban Chao claimed to be victorious, forcing the Kushans to retreat by use of a scorched-earth policy, the region fell to Kushan forces in the early 2nd century.[8] As a result, for a period (until the Chinese regained control c. 127 CE)[9] the territory of the Kushans extended for a short period as far as Kashgar, Khotan and Yarkand, which were Chinese dependencies in the Tarim Basin, modern Xinjiang. Several coins of Kanishka have been found in the Tarim Basin.
Controlling both the land (the Silk Road) and sea trade routes between South Asia and Rome seems to have been one of Kanishka's chief imperial goals.
Kanishka's coins portray images of Indo-Aryan, Greek, Iranian and even Sumero-Elamite divinities, demonstrating the religious syncretism in his beliefs. Kanishka's coins from the beginning of his reign bear legends in Greek language and script and depict Greek divinities. Later coins bear legends in Bactrian, the Iranian language that the Kushans evidently spoke, and Greek divinities were replaced by corresponding Iranic ones. All of Kanishka's coins - even ones with a legend in the Bactrian language - were written in a modified Greek script that had one additional glyph (Ϸ) to represent /š/ (sh), as in the word 'Kushan' and 'Kanishka'.
On his coins, the king is typically depicted as a bearded man in a long coat and trousers gathered at the ankle, with flames emanating from his shoulders. He wears large rounded boots, and is armed with a long sword similar to a scimitar as well as a lance. He is frequently seen to be making a sacrifice on a small altar. The lower half of a lifesize limestone relief of Kanishka similarly attired, with a stiff embroidered surplice beneath his coat and spurs attached to his boots under the light gathered folds of his trousers, survived in the Kabul Museum until it was destroyed by the Taliban.[10]
A few coins at the beginning of his reign have a legend in the Greek language and script: ΒΑΣΙΛΕΥΣ ΒΑΣΙΛΕΩΝ ΚΑΝΗϷΚΟΥ, basileus basileon kaneshkou "[coin] of Kanishka, king of kings."
Greek deities, with Greek names are represented on these early coins:
The inscriptions in Greek are full of spelling and syntactical errors.
Following the transition to the Bactrian language on coins, Iranic and Indic divinities replace the Greek ones:
Only a few Buddhist divinities were used as well:
Additionally, ΟΗϷΟ (oesho) was long considered to represent Indic Shiva, but recent studies indicate that oesho is Avestan Vayu conflated with Shiva.[11][12]
Kanishka's reputation in Buddhist tradition is based mainly that he convened the 4th Buddhist Council in Kashmir. Images of the Buddha based on 32 physical signs were made during his time.
He provided encouragement to both the Gandhara school of Greco-Buddhist Art and the Mathura school of Hindu art (An inescapable religious syncretism pervades Kushana rule). Kanishka personally seems to have embraced both Buddhism and the Persian cult of Mithra.
His greatest contribution to Buddhist architecture was the Kanishka stupa at Peshawar, Pakistan. Archaeologists who rediscovered the base of it in 1908-1909 ascertained that this stupa had a diameter of 286 feet (87 metres). Reports of Chinese pilgrims such as Xuan Zang indicate that its height was 600 to 700 (Chinese) "feet" (= roughly 180–210 metres or 591–689 ft.) and was covered with jewels.[13] Certainly this immense multi-storied building ranks among the wonders of the ancient world.
Kanishka is said to have been particularly close to the Buddhist scholar Ashvaghosha, who became his religious advisor in his later years. At the time of Kanishka's coronation and when India's first gold coin was minted, Yuz Asaf was the spiritual advisor to the king.
The Buddhist coins of Kanishka are comparatively rare (well under one percent of all known coins of Kanishka). Several show Kanishka on the obverse and the Buddha standing on the reverse, in Hellenistic style. A few also show the Shakyamuni Buddha and Maitreya. Like all coins of Kanishka, the design is rather rough and proportions tend to be imprecise; the image of the Buddha is often slightly corrupted, with oversize ears and feet spread apart in the same fashion as the Kushan king, indicating clumsy imitation of Hellenistic types.
Three types of Kanishka's Buddhist coins are known:
The standing Buddha in Hellenistic style, bearing the mention "Boddo" in Greek script, holding the left corner of his cloack in his hand, and forming the abhaya mudra. Only six Kushan coins of the Buddha are known in gold (the sixth one is the centerpiece of an ancient piece of jewelry, consisting of a Kanishka Buddha coin decorated with a ring of heart-shaped ruby stones). All these coins were minted in gold under Kanishka I, and are in two different denominations: a dinar of about 8 gm, roughly similar to a Roman aureus, and a quarter dinar of about 2 gm. (about the size of an obol).
The Buddha is represented wearing the monastic robe, the antaravasaka, the uttarasanga, and the overcoat sanghati.
The ears are extremely large and long, a symbolic exaggeration possibly rendered necessary by the small size of the coins, but otherwise visible in some later Gandharan statues of the Buddha typically dated to the 3rd-4th century CE. He has an abundant topknot covering the usnisha, often highly stylized in a curly or often globular manner, also visible on later Buddha statues of Gandhara.
In general, the representation of the Buddha on these coins is already highly symbolic, and quite distant from the more naturalistic and Hellenistic images seen in early Gandhara sculptures. On several design, a mustache is apparent. The palm of his right hand bears the Chakra mark, and his brow bear the urna. An aureola, formed by one, two or three lines, surrounds him.
The Shakyamuni Buddha (with the legend "Sakamano Boudo", i.e. Shakamuni Buddha, another name for the historic Buddha Siddharta Gautama), standing to front, with left hand on hip and forming the abhaya mudra with the right hand. All these coins are in copper only, and usually rather worn.
The gown of the Shakyamuni Buddha is quite light compared to that on the coins in the name of Buddha, clearly showing the outline of the body, in a nearly transparent way. These are probably the first two layers of monastic clothing the antaravasaka and the uttarasanga. Also, his gown is folded over the left arm (rather than being held in the left hand as above), a feature only otherwise known in the Bimaran casket and suggestive of a scarf-like uttariya. He has an abundant topknot covering the ushnisha, and a simple or double halo, sometimes radiating, surrounds his head.
The Bodhisattva Maitreya (with the legend "Metrago Boudo") cross-legged on a throne, holding a water pot, and also forming the Abhaya mudra. These coins are only known in copper and are badly worn. On the clearest coins, Maitreya seems to be wearing the armbands of an Indian prince, a feature often seen on the staruary of Maitreya. The throne is decorated with small columns, suggesting that the coin representation of Maitreya was directly copied from pre-existing statuary with such well-known features.
The qualification of "Buddha" for Maitreya is inaccurate, as he is instead a Bodhisattva (he is the Buddha of the future). This may indicate a limited knowledge of Buddhist cosmology on the part of the Kushans.
The iconography of these three types is very different from that of the other deities depicted in Kanishka's coinage. Whether Kanishka's deities are all shown from the side, the Buddhas only are shown frontally, indicating that they were copied from contemporary frontal representations of the standing and seated Buddhas in statuary.[14] Both representations of the Buddha and Shakyamuni have both shoulders covered by their monastic gown, indicating that the statues used as models were from the Gandhara school of art, rather than Mathura.
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The "Kanishka casket" or "Kanishka reliquary", dated to the first year of Kanishka's reign in 127 CE, was discovered in a deposit chamber under Kanishka's stupa, during the archeological excavations in 1908-1909 in Shah-ji-Dheri on the outskirts of Peshawar.[15][16] It is today at the Peshawar Museum, and a copy is in the British Museum. It is said to have contained three bone fragments of the Buddha, which are now housed in Mandalay, Burma.
The casket is dedicated in Kharoshthi. The inscription reads:
The text is signed by the maker, a Greek artist named Agesilas, who oversaw work at Kanishka's stupas (caitya), confirming the direct involvement of Greeks with Buddhist realizations at such a late date: "The servant Agisalaos, the superintendent of works at the vihara of Kanishka in the monastery of Mahasena" ("dasa agisala nava-karmi ana*kaniskasa vihara mahasenasa sangharame").
The lid of the casket shows the Buddha on a lotus pedestal, and worshipped by Brahma and Indra. The edge of the lid is decorated by a frieze of flying geese. The body of the casket represents a Kushan monarch, probably Kanishka in person, with the Iranian sun and moon gods on his side. On the sides are two images of a seated Buddha, worshiped by royal figures. A garland, supported by cherubs goes around the scene in typical Hellenistic style.
The attribution of the casket to Kanishka has been recently disputed, essentially on stylistic ground (for example the ruler shown on the casket is not bearded, to the contrary of Kanishka). Instead, the casket is often attributed to Kanishka's successor Huvishka.
In Buddhist tradition, Kanishka is often described as a violent, faithless ruler before his conversion to Buddhism, as in the Sri-dharma-pitaka-nidana sutra:
Additionally, the arrival of Kanishka was reportedly foretold by the Buddha, as well as the construction of his stupa:
The same story is repeated in a Khotanese scroll found at Dunhuang, which first described how Kanishka would arrive 400 years after the death of the Buddha. The account also describes how Kanishka came to raise his stupa:
Chinese pilgrims to India, such as Xuanzang, who travelled there around 630 CE also relays the story:
Kanishka's expansion into the Tarim Basin probably initiated the transmission of Buddhism to China.
Buddhist monks from the region of Gandhara played a key role in the development and the transmission of Buddhist ideas in the direction of northern Asia from the middle of the 2nd century CE. The Kushan monk, Lokaksema (c. 178 CE), became the first translators of Mahayana Buddhist scriptures into Chinese and established a translation bureau at the Chinese capital Loyang. Central Asian and East Asian Buddhist monks appear to have maintained strong exchanges for the following centuries.
Kanishka was probably succeeded by Huvishka. How and when this came about is still uncertain. The fact that there were other Kushana kings called Kanishka is just another complicating factor.
In the manga series, Berserk, the Emperor Ganishka working as Griffith's enemy in Berserk was based on King Kanishka. In the manga, he is also a profound Buddhist and adorned his empire with its respective figures and promoted it vigoriously. Like his real-life conterpart, Ganishka also decorates his palace with famous Buddhist figures, but has demonized them to suit his nature.
"Kanishka" is also one of the most popular songs by Argentine rock band Los Brujos, referring to the Kushan King and his wife, released in the album Fin de semana Salvaje (Wild Weekend).
| Preceded by: Vima Kadphises |
Kushan Ruler | Succeeded by: Huvishka |